PERFORMANCE SCHEDULE (subject to change)
Each program is one hour in duration and feature two works. A ticket to see one program is $20, a ticket (also called an evening or afternoon pass) to see both is $30. Tea will be served in between programs - if you are attending both, you can call this "intermission".
Thursday, December 8 - EVENING
7:30PM - program Blue - FARRISH/GOODMAN/MCGUIRE
8:30PM - program Amber - ÉMARD/MCGUIRE
Friday December 9 - EVENING
7:30PM - program Blue - FARRISH/GOODMAN/MCGUIRE
8:30PM - program Amber - ÉMARD/MCGUIRE
Saturday December 10 - EVENING
7:30PM - program Blue - FARRISH/GOODMAN/MCGUIRE
8:30PM - program Amber - ÉMARD/MCGUIRE
Sunday December 11 - MATINEE
3:30PM - program Blue - FARRISH/GOODMAN/MCGUIRE
4:30PM - program Amber - ÉMARD/MCGUIRE
Note: Some performances involve partial nudity and haze.
LOCATION*
The Mark ODonnell Theater
at the Entertainment Community Fund Arts Center
160 Schermerhorn Street
Brooklyn, NY 11201
*Accessible by the A,C,F,G,2,3,4,5,Q trains
On McGuire:
"Every now and then, I see a dancer whose beauty, presence and intensity reminds me of why dance has been the inescapable through line of my life... Like a great narrator, shes a dancer you want non-stop closeness to, that sustained feeling of intimacy in both stillness and motion. While her lexicon of movement is broad, I came to trust the power of her delivery the sense of motivation, the possibility of surprise in every step.
- THE GLOBE AND MAIL
On Émard:
"Sylvain Emard’s commissioned solo, Waltz, is a masterwork that reconciles the collision of two uncompromising artistic voices.”
- Peggy Baker
On Farrish:
Decent Structures Arts combines live performance, filmmaking and photography in order to find greater intimacy, honesty, and to witness the human experience. It is the bite, the lust, the implosion, the rebellion, the sadness, the effort and exhaustion, the swoon, and all the grit that makes us alive.
On Goodman:
"Goodman moved to the industrial-ambient music like one of its notes made flesh in a way that elicited from me an audible and unbeckoned "damn" at the end of the performance."
- THE SEATTLE STRANGER
